Deleuzean Hybridity in the Films of Leone and Argento

As the corrections to my PhD thesis, on Deleuzean Hybridity in the Films of Leone and Argento, have now been approved, here it is for those who wish to read it.

Basically what I say is that Deleuze formulates his concepts of the movement-image and the time-image primarily in relation to classical Hollywood genre cinema and modern European art cinema respectively. As such, the films of Leone and Argento raise questions regarding this framework, in being post-WWII European films, but also being genre films (westerns, thrillers, fantasy-horror, and a gangster film). I then try to bring out how these films have hybrid characteristics, and relate this to certain earlier and later films to place the two directors within a broader tradition.

Inferno - Eliot

Inferno has a female American poet Rose Elliot. Is it possible to have this character without thinking about her namesake T S Eliot? Particularly when the film is so poetic, as in a fusion of form and content, in the Pasolinian sense...