Directed by one Lewis J. Force – actually Lindsay Shonteff, who requested that his name be taken off the credits – Night After Night After Night comes across as something like a hybrid of The Cover Girl Killer and The New York Ripper with a touch of House of Whipcord thrown in for good measure.
Contemporary giallo-type touches include a black leather wearing, knife-wielding killer on the loose; an assortment of suspects and red herrings and an agreeable level of sleaziness.
The more traditional whodunit is meanwhile represented by the focus on a professional rather than an amateur investigator, in the form of Inspector Bill Rowan.
Rowan is, however, given a more personal interest than applies in the usual detective story, when his wife Jenny falls victim to the maniac as she is stabbed to death whilst taking a shower.
The prime suspect in the murders, even before this, was Pete Laver. A misogynistic womaniser, he doesn’t help his case by reciprocating Rowan’s overt hostility by saying what he’d like to do to Jenny...
The duel: Laver vs. Rowan
The other likely candidates, as far as the audience is concerned, are the moralistic Judge Lomax and his smut-obsessed clerk.
The clerk and his favourite reading material
The filmmakers play reasonably fair with us in terms of the story and the characters’ relationships with one another, providing the opportunity to figure out whodunit by the time that, just over two-thirds of the way through, the killer’s identity is revealed and a manhunt scenario then takes over.
The amount of time that passes between the arrest and the trial isn't too clear
The low budget is most evident in the courtroom and police station scenes, both of which feel somewhat cramped through their emphasis upon medium shots and close-ups to the exclusion of establishing shots. Shonteff’s direction is more agreeable when style comes to the fore, whether within the stalking and slashing stuff or the maniac’s freak outs.
A decent time-passer.